Review: The Paying Guests
I want to start by saying I have loved all of Sarah Waters’s previous novels and consider myself a big fan. She is one of the few contemporary novelists whose new novels I actively anticipate, and I was fortunate enough to get to see her in person when this book was released in Boston.
That said, I did not love The Paying Guests. Is it I who have changed, or is it Sarah Waters? I honestly do not know. Is this novel just engaging in a genre I don’t care for and that’s the problem? Perhaps.
This novel seemed slight to me, unlike her other novels, which are so rich in detail, character, and plot. I was interested in both Frances and Lilian as characters, but in some ways I feel I never got to know them fully. For Frances, it is as if the “real” story of her life has already passed by the time we meet her character. Every time we hear about Frances throwing a shoe at a police officer or having escapades with Chris, I think, why couldn’t we have had this story instead? I feel like a novel about Frances before and during the war would have been so much more interesting. I realize the problems with this; after all, this novel is explicitly about what happens when that part of yourself you thought was dead is reawakened. But for one reason or another, the love story was never terribly convincing to me, and the setting seemed somehow staged for the purpose of the love story rather than something that made it inevitable.
Another problem for me was the use of close third person POV. At first I enjoyed it, and in some ways it is necessary, since as readers we should probably be unsure about Lilian’s emotions and motives. But ultimately the problem was that it often seemed to make Frances into a spectator in her own life. There were so many passages where Frances is just observing and describing what other people do rather than doing anything herself. This is an annoyance of mine about many novels; if the character is just going to observe most of what happens in the story, why have everything filtered through her POV?
Still, with all this, I did like certain aspects of the novel: the wonderful opening, the historical detail (of course), the importance of the house and the way Frances and her mother are annoyed by having lodgers upstairs (as a quiet person who lives in a first-floor apartment, I can relate to the annoyance of hearing footsteps upstairs!), the slow build, the introduction of a whole new storyline late in the novel that made things a little more interesting. But something about the novel overall felt very forced, and the ending really seemed like a cop-out. I am giving this four stars instead of three just because I don’t want to bring down the star rating, since I still love Sarah Waters despite everything.